Wednesday, September 18, 2013

Film Review: Ano Ang Kulay ng mga Nakalimutang Pangarap? by Bettina Catli

The National Film festival 2013 opened last September 11, 2013. The country’s best 12 directors showcase their 10 films available to the public at SM Cinemas Nationwide. Among the 12 was director Jose Javier Reyes, who directed the entry, Ano ang Kulay ng Nakalimutang Pangarap, which is a family drama. The question, “where do old things go?” was impeccably tackled by the film. The film starred Ryan Agoncillo, Jackie Lou Blanco, Bobby Andrews and Rustica Carpio. The film shows the story of Teresa (Carpio) who has served a family since she was seventeen, sacrificing her own happiness and dreams to help her family in the province. Now that Mercy (Teresa’s sen͂orita) has passed away, her three children must decide on the matters of her property and the fate of their own nanny.
            The director did a great job of prolonging the crisis of the story, which was the fate of Teresa. In the film, it was shown that the properties were settled, there were already buyers for the land and properties their mother owned. But the question of Teresa’s fate was the most important of all. It was what the audience (myself included) was waiting resolution for. What would happen to dear old Yaya Teresa after the old house has been sold? Would she be taken by her relatives, or would she be taken by one of the three children she used to care for like she truly believes? As the story unfolded, the crisis of Teresa’s situation was given much more depth. No longer was she just an old nanny. She was a beautiful woman who sacrificed her own happiness and dreams because she loves the family she serves and she likes them because they treat her like family. The director offered many options as to where Teresa might end up, making his characters compromise with the situation, much like we do when we bargain for the things we want or want to get rid of.
            The dialogue was truly Direk Joey style: Poignant, true and real. The lines delivered by Teresa were brimming with touching sadness,“Tama ka nga naman, luma na. Aanhin pa nga ninyo yun.”. The line is simple yet meant so much and described humans so effectively. And still, the writers of the film didn’t stop there. The line, “Mabait sila sayo kasi napapakinabanggan ka.” hit straight home. The lines were perfect, seamless and real. Much like the script was the transition from scene to scene, especially for the flashbacks. The setting seamlessly connects the present from the past and the ingenious character positioning helped in creating the atmosphere of reminiscing.
            Stella (Jackie Lou) portrays the eldest among the three and displays the stereotypical personality of an eldest who was quite the only child for some time. Vincent (Bobby Andrews) was the second of the three and like the middle child, is sort of noticed just in passing. Andre (Ryan Agoncillo) being the youngest and most loved by both his mother and Teresa displays the loving, sweet and thoughtful persona of the youngest child. Their characters helped in giving the options for Teresa’s fate.
            Rustica Carpio was amazing in her role. Her acting of the deep belief that her character would be taken by one of the three children was just heartbreakingly sad. She was assured, countless times by the siblings that she would be well cared for and this she believed whole heartedly. In her mind she thinks that it was only natural that they wouldn’t leave her hanging – after all was she not the one who cared for them and their mother all her life? Did she not treat them like her own children and their mother, her dearest friend?  For her it wasn’t utang na loob. It was natural as caring for your own mother. She felt that she was treated like family and so she believes that she would be taken care of like family.
            The movie implies the nature of humans too. Do we not throw old things or give them to other people after we have finished with them because they have become too old or take up too much space? This film is truly brilliant, a film that spears the heart and chews on the conscience. 
Posing with Mall of Asia's poster of the National Film Festival

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